This original plaster model was used to create the sculpture of Mary McLeod Bethune, which was installed in the National Statuary Hall in the U.S. Capitol. Credit: Collection of the Smithsonian’s National Museum of African American History and Culture, gift of Nilda Maria Comas, copyright Nilda Comas.
Photo: Roberto Ruiz, Image courtesy of Museu d'Art Contemporani de Barcelona. Installed on Las Ramblas, Barcelona, as part of Felix Gonzalez-Torres: The Politics of Relation. Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, Spain. 26 Mar. – 19 Se
“Untitled” (America) (1994).
Credit: “Untitled” (America) (1994), Twelve parts, each: 42 light bulbs, waterproof rubber light sockets, and waterproof electrical cord. Overall dimensions vary with installation. Copyright Estate Felix Gonzalez-Torres, Courtesy Felix Gonzalez-Torres Foundation.
Credit: “Untitled” (America) (1994), Twelve parts, each: 42 light bulbs, waterproof rubber light sockets, and waterproof electrical cord. Overall dimensions vary with installation. Copyright Estate Felix Gonzalez-Torres, Courtesy Felix Gonzalez-Torres Foundation. Photo: Roberto Ruiz, Image courtesy of Museu d'Art Contemporani de Barcelona. Installed on Las Ramblas, Barcelona, as part of Felix Gonzalez-Torres: The Politics of Relation. Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, Spain. 26 Mar. – 19 Sep. 2021. Cur. Tanya Barson.
Detail of “Folio from a ‘Shahnama’ (‘Book of Kings’) by Firdawsi (d. 1020); Anushirvan bestowing largess upon his minister Buzurjmihr” / Credit: National Museum of Asian Art, Smithsonian Institution, Freer Collection, Purchase—Charles Lang Freer Endowment, F1942.2 (detail)
“James Baldwin” by Beauford Delaney, pastel on paper, 1963. National Portrait Gallery, Smithsonian Institution. Copyright Estate of Beauford Delaney by permission of Derek L. Spratley, Esquire, Court Appointed Administrator; courtesy of Michael Rosenfeld Gallery LLC, New York.
Bruce Onobrakpeya, b. 1932, Nigeria, Station VI: Veronica wipes the face of Jesus (detail), 1969, linoleum block
print on rice paper, gift of Mr. George A. Naifeh, collection of the High Museum of Art, Atlanta.
Emma Amos, “Winning,” 1982, acrylic on linen with hand-woven fabric, 75 × 64 in. (190.5 × 162.6 cm), Smithsonian American Art Museum, museum purchase made possible by the Catherine Walden Myer Fund, 2019.15, Copyright 1982, Ryan Lee Gallery, New York.
“Blossom Time” (detail), Willard Metcalf (1858–1925), United States, 1910, oil on canvas, National Museum of Asian Art, Smithsonian Institution, Freer Gallery of Art Collection, Gift of Charles Lang Freer, F1915.27a-b
Engaging a Multiplicity of Viewpoints, Exhibition Looks at Paintings of New England From a New Angle, Considers Human Impact, Indigenous Histories and Environmental Changes