Roberto Lugo, DNA Study Revisited, 2022, urethane resin life cast, foam, wire, and acrylic paint, 66 × 27 × 17 in. (167.6 × 68.6 × 43.2 cm), Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 2024.19
“The Grim Work of Death” by Christopher Myers. Collection of the Smithsonian’s National Museum of African American History and Culture. Copyright Christopher Myers.
A large Hyperwall—a giant video screen used to display NASA’s Earth Information Center data—will be the centerpiece of “NASA’s Earth Information Center at the National Museum of Natural History.” James Di Loreto, Smithsonian.
“NASA’s Earth Information Center at the National Museum of Natural History” Showcases Larger-than-Life Screen Pairing Real-Time Graphics with Short Feature Videos to Visualize Interconnected Changes on the Planet
Amy Sherald, “What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American),” 2017; private collection, Chicago; Copyright Amy Sherald; photo: Joseph Hyde, courtesy the artist and Hauser & Wirth.
Amy Sherald, “What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American),” 2017; private collection, Chicago; Copyright Amy Sherald; photo: Joseph Hyde, courtesy the artist and Hauser & Wirth.
Walter Larrimore for Smithsonian’s National Museum of the American Indian, 2023
NMAI DY Begay: "Monumental Edge"
DY Begay (Diné, b. 1953), “Monumental Edge 2,” 2020. Wool, plant dye, insect dye, and synthetic dye, 77 1/2 x 39 in. Collection of Merrilee Caldwell and Marcus Randolph.
DY Begay (Diné, b. 1953), “Intended Vermillion,” 2015. Wool with plant, insect, and synthetic dyes, 49 x 37 ½ in. Denver Art Museum: Commissioned and funded by Kent and Elaine Olson for the Denver Art Museum, 2015.266
Terence Nicholson, Safety Jacket: A Mourning in Chinatown, 2018. Anacostia Community Museum, Smithsonian Institution. Gift of Alexia and Roderick von Lipsey.
