Self-Portrait with Rita
Object Details
- Artist
- Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975
- Sitter
- Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975
- Rita Piacenza Benton, 5 Jan 1896 - 9 Apr 1975
- Exhibition Label
- At the turn of the twentieth century, Thomas Hart Benton was among many young painters who embraced abstraction. He soon rejected that brand of modernism, however, and emerged in the 1920s as a leader of the regionalist school of realism, whose primary concern was the portrayal of local life and history in America. Benton made this portrait of himself and his wife (wearing the latest in bathing-suit fashion) at Martha’s Vineyard in Massachusetts, sometime around 1924. Best known for his panoramic murals, he brought to his works a boldness of composition that led one critic to describe him as “the most . . . vigorous and virile of our painters.” Benton was also interested in Hollywood’s star culture, and his bare- chested likeness in this work may reference Douglas Fairbanks Sr.’s appearance in The Thief of Bagdad (1924).
- Comenzando el siglo XX, Thomas Hart Benton se contaba entre los numerosos pintores jóvenes que se entregaron a la abstracción. Sin embargo, pronto rechazó ese tipo de modernismo y en los años veinte fue uno de los líderes de la escuela de realismo regionalista, cuyo interés principal era la vida y la historia de las pequeñas comunidades de Estados Unidos. Benton hizo este retrato de él y su esposa (con un traje de baño de última moda) en Martha’s Vineyard, Massachusetts, alrededor de 1924. Conocido sobre todo por sus murales panorámicos, el artista dotaba sus composiciones de tal fuerza que un crítico llegó a describirlo como “el más […] vigoroso y viril de nuestros pintores”. A Benton también le interesaba
- la cultura del cine de Hollywood, y su torso desnudo en esta obra podría ser una alusión al papel de Douglas Fairbanks Sr. en El ladrón de Bagdad (1924).
- Provenance
- The artist; stolen from his garage sometime in 1939. Mr. and Mrs. Jack H. Mooney, Montgomery, Alabama; gift 1975 to NPG
- Credit Line
- National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Jack H. Mooney
- c. 1924
- Object number
- NPG.75.30
- Restrictions & Rights
- Usage conditions apply
- Type
- Painting
- Medium
- Oil on canvas
- Dimensions
- Stretcher: 124.5 x 100 x 2.5cm (49 x 39 3/8 x 1")
- Frame: 146.1 x 121 x 7cm (57 1/2 x 47 5/8 x 2 3/4")
- See more items in
- National Portrait Gallery Collection
- Location
- Currently not on view
- National Portrait Gallery
- Topic
- Home Furnishings\Furniture\Table
- Exterior\Landscape\Coastal\Beach
- Home Furnishings\Furniture\Seating\Bench
- Nature & Environment\Rock
- Self-portrait
- Costume\Jewelry\Watch\Wrist watch
- Nature & Environment\Plant\Seaweed
- Rita Piacenza Benton: Arts and Culture\Visual Arts\Artist
- Rita Piacenza Benton: Female
- Thomas Hart Benton: Male
- Thomas Hart Benton: Arts and Culture\Visual Arts\Artist\Painter
- Thomas Hart Benton: Arts and Culture\Visual Arts\Art instructor
- Thomas Hart Benton: Arts and Culture\Visual Arts\Artist\Painter\Muralist
- Portrait
- Record ID
- npg_NPG.75.30
- Metadata Usage (text)
- Not determined
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/sm47261ce1f-fe80-4709-84e0-ef9b7a854d5f
Related Content
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.