Industry

Object Details

Artist: Arthur Durston, born Farnsborough, England 1889-died Los Angeles, CA 1938

Luce Center Label: At the worst point of the Great Depression, more than fifteen million American workers were unemployed. Many who continued to work struggled to support themselves and their families. In Industry, Arthur Durston painted three dispirited women in the foreground walking away from the factories, while hunched, shirtless men toil in the background. The rooftops, pipes, towering chimney stacks, and smoke plumes appear to blend together to form one giant machine, of which the distant workers are just parts. The repetition of the women, men, and smokestacks (all are in groups of three) suggest the monotony of daily life. A newborn baby held by the most prominent woman symbolizes a hope for a better future and the ability of Americans to work through the Depression, but also a futility because the child will probably grow up to join the masses laboring in the factories.

Credit Line: Smithsonian American Art Museum, Transfer from the U.S. Department of Labor

1934

See more items in: Smithsonian American Art Museum Collection
Department: Painting and Sculpture
On View: Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 35A; Smithsonian American Art Museum, Luce Foundation Center; Smithsonian American Art Museum, Luce Foundation Center, 4th Floor

Smithsonian American Art Museum

Topic: Cityscape; Occupation\industry; Figure group\female and child; New Deal\Public Works of Art Project\California; Architecture Exterior\domestic\house; Architecture Exterior\industry\factory

GUID (Link to Original Record): http://n2t.net/ark:/65665/vk73aa7b431-b94a-4035-9b6c-46cc45300c25